Shibori
Suggestive of – indeed, informed by – 8th century Japanese fabric dyeing techniques, Shibori summons memories of ages-old manipulations, and marriages, between fiber and dye. Oxidized to evoke eternities; rendered wholly new by imagination.
Rand
This wool pile on a flat woven wool ground – similar to exposed foundation – garners admiration courtesy of its abstract, irregular striping comprised of multi-colored yarns. Relaxed. Inspired.
Radcliffe
A geometric pattern repeat evoking basketweave-like intricacy. Linear shading. Endless possibilities.
Sedira
Layered and ridged, like sediments bonded over time immemorial. History, revealed. Shape, considered. Hue, twinned. Connected in pattern and open to possibilities.
Merletto
Think lace, but in leather form. Woven, waving, and wonderful. An intoxicating example craftsmanship, expressing artistry and imagination in dual renditions; leather lace, hand-stitched and undulating—and leather lace, hand-woven and level. An enticingly irregular blending of high and low, unified by linen.
Jerran
Jerran is bold, yes – but more so, balanced. A fusion of border and field that reads, at first glance, as one. Delve more deeply, however, and geometric tension becomes apparent: prominent medallions seem to recede; vertical caning is subtly revealed. Or is it the opposite? Like mysterious lands themselves, the answer is achingly indeterminate.
Keelan
Our founder’s love of antique carpets inspired Keelan’s Tibetan rug-like, spun silk, low pile simplicity. Velvety in the extreme, its touch recalls aged textiles, bygone fineries, and a luxurious moment in time – but in the most modern and graphic of ways. Marked by slender hand-carving to subtly define color-blocked transitions in hue – without repeat or restriction, for the utmost in flexibility.
Rill
Like so many of our designs, Rill takes inspiration from the wonders of nature. Specifically, the shallow channels carved into soil as water flows over its surface – a phenomenon we witnessed with fascination during a sudden downpour during a London garden tour. Without an umbrella – and almost without thought – we found ourselves entranced by the impacts of the droplets. And just like that, Rill took shape in our imagination.
Serena
Edged in seed stitching, Serena’s snakeskin-inspired hand-embroidery is juxtaposed against vertical striping for a walk on the elegantly wild side of a decorative journey.
Rand
This wool pile on a flat woven wool ground – similar to exposed foundation – garners admiration courtesy of its abstract, irregular striping comprised of multi-colored yarns. Relaxed. Inspired.