Plie
Think of it as pleated textile art. Rippled. Water-like. With a rhythmic pattern that echoes the tides, dancing as a ballerina does, dipping and rising again and again.
Colline
Like undulating hills, Colline’s transitional diamond design ebbs and flows, rises and falls, grounds and enchants with cut pile and loops.
Woodland
A quiet milieu of incomparable depth is restrained, contained - and celebrated - within chain-stitched borders suggesting forested boundaries.
Sedira
Layered and ridged, like sediments bonded over time immemorial. History, revealed. Shape, considered. Hue, twinned. Connected in pattern and open to possibilities.
Tinian
Like the Mother Continent’s Queen Tinian—visionary leader of the African Tuareg tribe—our own Tinian is at once adventurous and calculating. A study in regulation thanks to repetitive geometric patterning, Tinian also proffers interpretive excitement resulting from decorative interruptions of that very repetition.
Maquette
If cozy could be rendered in an artist’s sketch, it would look like Maquette. Linear, but loose. Irregularly patterned for visual ease and open-ended furniture placement. Plush. Deep, in feel and in fact, thanks to bevel-edged pile atop its exposed foundation. A reminder that warmth is a sense and not just a sensation.
Merletto
Think lace, but in leather form. Woven, waving, and wonderful. An intoxicating example craftsmanship, expressing artistry and imagination in dual renditions; leather lace, hand-stitched and undulating—and leather lace, hand-woven and level. An enticingly irregular blending of high and low, unified by linen.
Albers
An homage, squared—to European artist Josepf Albers and, to his famed “Squares” series. The embodiment of Mid-Century, Bauhaus-inspired design, our Tuareg-style Albers pattern is linear. Geometric. Simplified. And yet, reflective exploration reveals Albers to be more highly nuanced than perhaps initially understood. An ombre-shaded expression of overlapping, multi-hued linen and leather cord—and your own discerning taste.
Jerran
Jerran is bold, yes – but more so, balanced. A fusion of border and field that reads, at first glance, as one. Delve more deeply, however, and geometric tension becomes apparent: prominent medallions seem to recede; vertical caning is subtly revealed. Or is it the opposite? Like mysterious lands themselves, the answer is achingly indeterminate.
Allard
Tonal ribs. Subtly striped and vaguely linear. Beckons barefoot toes, crawling babies, and anyone seeking extreme versatility to ground a room. At least, that’s what we imagined when we imagined it!